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This object is a member of the following groups (click any group name to view all objects in that group):Exhibitions: Past Is Prologue: History in Contemporary Art
Themes: MLC Portfolio: Invisibility in Image and Text
Periods and Styles: MLC Portfolio: Civil War
Themes: MLC Portfolio: Race and Otherness
On March 3, 1865, Congress passed the Freedmen’s Bureau Bill to assist African Americans with the transition from slavery to freedom. Intended to provide support to former slaves with employment, education, land, and medical and legal aid, and serve as a record of progress of the “freed man,” unfortunately the Bureau became a repository for accounts of the ongoing prejudice and atrocities experienced by freed men and women during Reconstruction. This recent film by Kara Walker takes its title and narrative from documents in the Bureau’s archive and uses her trademark cut-paper silhouettes to animate the disturbing story of an African American family. Controlled by the sticks and strings of their human operators, including the artist herself, the figures moving within a shadow puppet-like theater space remind us of the manipulation of historical oppression and the powerlessness of the oppressed while also emphasizing the theatricality of the film itself. Themes of race, gender, sexuality, and violence intersect and unfold on Kara Walker’s multi-colored stage.
This object was included in the following exhibitions:The Civil War: Unfolding Dialogues, Addison Gallery of American Art, 10/15/2011 - 4/15/2012
Past Is Prologue: History in Contemporary Art , Addison Gallery of American Art, 4/16/2022 - 7/31/2022
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