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Themes: MLC Portfolio: Visualizing Poetry

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Artist(s): Ansel Adams (San Francisco, CA, Feb 20, 1902 - Apr 23, 1984, Carmel, CA)
published by E. Weyhe, New York, NY; typography by Grabhorn Press, San Francisco, CA
Title: Mount McKinley, Alaska from Portfolio One: Twelve Photographic Prints
Date: 1948
Dimensions: 7 3/8 in. x 9 1/4 in. (18.73 cm x 23.5 cm)
Medium: gelatin silver print on bromo-chloride projection paper, lightly toned in Selenium
Credit Line: Addison Gallery of American Art, Phillips Academy, Andover, MA, found in collection, 1987.574.1

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This object is a member of the following groups (click any group name to view all objects in that group):

Themes: Ecology
Themes: MLC Portfolio: Representing the Land
Themes: MLC Portfolio: Visualizing Poetry

Object Information

Rooted in past and present, Ansel Adam’s breathtaking views of the American West perpetuate the optimistic romanticism of 19th-century photographs while embodying the aesthetics of 20th-century modernist expression. Inspired by photographers Carleton Watkins, and Eadweard Muybridge, Adams was equally influenced by the art of his time. Initially working in a painterly and soft-focus pictorialist style, Adams and fellow California photographers, including Edward Weston, Imogen Cunningham, and Sonia Noskowiak, banded together in 1932 as Group f/64, promoting “pure” photography via sharply focused and unmanipulated prints.
This interplay of the historic and contemporary is paralleled by Adams’s competing interests in both the spiritual and scientific. Convinced of nature’s redemptive powers, he remained committed to the ideal landscape throughout his career—but one that was less about accuracy than the emotions it inspired. Like the 19th-century pioneers who set out to tame the wilderness, Adams used technology to bend nature to his vision. Using filters and a variety of techniques that determined the expressive power, visual quality, and tonal range of the print before exposure, he made nature match his mind’s eye. Reconciling these seemingly contradictory themes and concerns was one of the hallmarks of his artistic achievement.

The Addison Gallery has an incomplete provenance record for this object.  If you have any information, please contact the museum in writing at:

Registrar
Addison Gallery of American Art
Phillips Academy
180 Main Street
Andover, MA 01810

Exhibition History

This object was included in the following exhibitions:

American Photography from the Permanent Collection in Celebration of the 50th An, Addison Gallery of American Art, 10/13/1989 - 12/18/1989
Point of View: Landscapes from the Addison Collection, Addison Gallery of American Art, 10/16/1992 - 12/20/1992
Past, Present, and Future: The Evolution of American Values [Phillips Academy Ar, Addison Gallery of American Art, 5/27/2005 - 6/12/2005
Inside, Outside, Upstairs, Downstairs: The Addison Anew, Addison Gallery of American Art, 9/7/2010 - 3/27/2011
Manzanar: Photographs by Ansel Adams, Addison Gallery of American Art, 9/1/2016 - 3/5/2017
Contemplating the View: American Landscape Photographs, Addison Gallery of American Art, 9/8/2018 - 3/3/2019

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